Birmingham Conservatoire

Studio
Thomas.Matthews Communication Design

Project Scope
Brand Identity, Wayfinding & Signage

Role
Design, Artworking, Project Management

Images
© Jill Tate / Thomas.Matthews

The UK’s first purpose-built music college since 1987, The Royal Birmingham Conservatoire meant a new state-of-the-art facility for teaching and performance. As a part of the design team, Thomas.Matthews were tasked with creating a building identity, signage and wayfinding for the building.

The identity acted as a beacon for the University brand whilst simultaneously creating a sense of place that reflected the building’s purpose – teaching, creating and playing music.

The creative idea is ‘The Dynamic of Music’ – capturing and representing the physicality of human movement and the unique response to the sounds and emotions created.

Working with marbling designer Jemma Lewis, original patterns were created to specific pieces of music relevant to teaching and learning at the conservatoire. The resulting patterns formed the identity and are used across the building as wayfinding tools, helping to define floors and destinations using scale and colour.

Colour is the keyboard, the eyes are the hammers and the soul is the piano with its many strings…
— Kandinsky

Pattern as wayfinding
(Left to right)
Full colour for stairways.
A bolder, restrained colour edge for busy areas.
Large scale usage to define destination entrances.

Floors: 0, 1, 2 (Public)

JS Bach
Mass in B Minor

Floor: 3 (Private)

Olivier Messiaen
Turangalîla-Symphonie

Floor: 4 (Private)

Jonathan Harvey
Madonna of Winter and Spring and other works with live electronics

Floor: 5 (Private)

Giacomo Puccini
Trittico (Il Tabarro Suor Angelica, Gianni Schicchi